23 to 29 August 2010
CEDRIC CHRISTIEVANJA BALOGH • CATHY DE MONCHEAUX • FIONA BANNER
GAVIN TURK • BOB AND ROBERTA SMITH •EMMA CROFTAMELIA CHRISTIE
RAUL PINA • KI PRICE * DANIEL DEVLIN • MARK WOODS • DAVID BROCK
KATARINA DRAGOSLAVICLUDMILLA ANDREWSHERZOG DELLAFIORE
HEDLEY ROBERTS • TRACEY BUSH • SLOBODAN TRAJKOVIC • PAUL TUCKER
GERALDINE RYAN • PAUL SAKOILSKY • INGRID BERTHON-MOINE • ROGER CRIMLIS
LEE CAVALIERE •  STEVEN LOWE • VALERIE DRISCOLL • ANNA NIMAN • YENSIK KIM
KAREN AY • REBECCA SCOTT * DEBORAH CURTIS • SIMON LIDDIMENT • LOUISE RILEY
GENEVIEVE CLOSUIT • NINA SAUNDERS • KATHY PRENDERGAST• JOANNE MORGAN
JESSICA VOORSANGER • PASCAL ROUSSON • DAN KNIGHT * RICHARD NIMAN
SIAN-KATE MOONEY • MARK TURNER • BEULAH ROBERTS • ROGER CRIMLIS
12-16 September 2008

OFF THE GRID

 

JOHN HUGHES | RUSSELL MARTIN |DANIEL DEVLIN

 

WILLIAM MACKRELL | JANKO MATIC | ROMINA DUSIC

 

HERZOG DELLAFIORE | KATARINA DRAGOSLAVIC

July 2006

Daniel Devlin | Janko Matic | Michael Wedgwood | Brian Dawn Chalkley

Aya Fukami | Eddie Farrell | Caroline McCambridge | Michael Kutschbach

Wendy Repass | Katarina Dragoslavic | Natasa Ljubetic | Janice Harding

Craig Andrews | Yen-Sik Kim | William Mackrell | Tomaz Kramberger 

Doug Lewis Julius Welby | J.B. Klimack | Jessica Wiesner | Paul Carr

Lada Sega | Bruce McLean | Graham Hayward | Christine Booker

David Smith | Sea-Hyun Lee | Gabi Miks | Ron Haselden | Jo Melvin

Linda Lencovic | Herzog Dellafiore | Danijel Visak

preparatory trip (April 2006)

Susak Expo 2006 is not an exhibition. 

 

It is, however, a circumstance, a situation and an event entitled Extended Platforms: no plans, just a time and place. What happens when you put in place a structure that has all the potentiality for art to be made but  at the same time has no expectations and leaves all outcomes open?

  • July 7, 2017
  • 804 Views

The images of saccharine, faux Meissen ballerinas and shepherdesses, dolls with dolls, posed in front of the artist’s paintings, collages or found fabrics are installation photographs or the documentation of performances. As the images are on the recto of the printed sheet (the usual home of text), the text, now on the verso, becomes destabilized, as if fabricated to illustrate the image.